Allowing being and becoming to intertwine—to cohere chaos into form—creativity turns into a process of deliberate living. In the convergence of concept and material, gesture and thought, there unfolds a sacred dialogue: the self in communion with the world.

Each stage of creative endeavour is a threshold of both reflection and discovery. In every occurrence, the self does not simply express—it transfigures. Through practice, transformation reveals itself. Art becomes both mirror and vessel, echoing the unspoken realms of inner experience.

Artistic inquiry is inborn philosophical action. It is not analysis for its own sake, but the forging of new understanding. Through investigation, language evolves—visual, symbolic, and intuitive—becoming an instrument of the psyche. It expands where words fracture, giving form to what lies beneath surface. Every work emerges not as statement, but as invocation—a spiritual presence grounded in matter.

Interpretation, then, is a ritual of unveiling. Hidden truths reside not only in symbols but in the act of symbolic engagement. In this movement, the “I” dissolves and reappears—it is subject and object, singular and collective, entangled within unfolding formations of meaning.

Aesthetic form is never the endpoint. I resist the reduction of art to be only a beautiful object for appreciation. I feel my works meaning as same as Aristotle felt about tragedy—opportunities to encounter deeper selves, dormant myths, ancestral whispers—not as destinations. I want them to provoke remembrance, to initiate inner processes. I want them to invite the viewer to participate in exploring their inner world, either individually or collectively.

This is my art-praxis: art as alchemical process, where raw matter carries psychic intent. And to draw nearer to authenticity—not as finality, but as an ever-expanding horizon.